It’s all just an honest story-while appropriately funny or sad when it needs to be. This plot has plenty of recognizable beats, but at no point do any of them feel forced. These two scenes at the precinct are a perfect early display of just how much the Nine-Nine truly is a supportive, cohesive unit, without them just saying they are. (And Rosa is smart for not letting Hitchcock ask anything, because he’s Hitchcock.) But it’s Jake she goes to specifically for help, both to make sure things are actually cool with the squad and to ask how she should spring the news to her parents (Danny Trejo and Olga Merediz). The key talking point of “Game Night” will no doubt be its role as a follow-up to Rosa coming out as bisexual in “99.” Of course the squad accepts Rosa for who she is and doesn’t make a fuss about her sexuality outside of the one minute she gives them to ask her questions.
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